Once I began building music around dopamine and these unknown hit song techniques, everything shifted. I started finishing songs faster. My ideas got sharper. People actually started reacting.
This approach is so powerful, that the first song I pitched after writing with this hit songwriting system landed me a $60K album deal. Since then, I’ve written for major artists, won international songwriting competitions, and been able to accomplish all of my musical goals as a professional songwriter and producer.
But the biggest shift was finally understanding why a song works. And more importantly, how to make it work on purpose.
Now I teach that system to songwriters and producers who are tired of guesswork and vague advice.
You don’t need more inspiration.
You need a blueprint that actually works.
But the biggest shift was finally understanding why a song works. And more importantly, how to make it work on purpose.
Now I teach that system to songwriters and producers who are tired of guesswork and vague advice.
You don’t need more inspiration.
You need a blueprint that actually works.
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